I would like to tackle the term “enchantment” head-on, expand its definition, and provide a sense of where it exists in modern life without relying on these historical forms or terminology.
My working definition: “enchantment” is a property of experience where the subject projects a fantasy, in the broad sense, onto the experience itself. Enchantment as such elevates the experience beyond its mere factual or physical essence, and brings it into a “super-sensible” relation with the actor. To use Fristonian terminology, the degree to which an experience is enchanted is the degree to which top-down priors predominate over bottom-up.
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